Usher Returns with ,COMING HOME, Album,A Reflective Journey through R&B’s Past and Present

By Editor On Feb 12, 2024

Sure Raymond 4 is having a moment calling it a second wind doesn’t feel quite apt since the R&B icon sales have never truly stilled but fresh off a twice extended Las Vegas residency and on the cusp of a Super Bowl halftime performance and World Tour Usher is back

In the popular Consciousness in a way he hasn’t been in at least a decade and a half the Atlantic kuner wouldn’t be one of the best selling singers in history if he didn’t have the business sense to match his golden pipes Usher has appropriately decided to capitalize off

His Newfound cash with a Fresh album his first solo release in 8 years and Ninth solo album coming home from his New Jack Swing heavy aonomus debut to his Z toen produced trap inspired album a every Usher project has incorporated the pop music Zeitgeist of the time whether for

Better his career defining crunk and Hip Hop infused confessions or Worse his experimental EDM album Looking for myself each album has seen Usher Bridge past R&B and soul greats like Stevie Wonder and Michael Jackson to their descendants whether it be near contemporaries like Chris Brown and Neo

Or newer a like lucky day and given coming home is mostly a departure from Usher’s chameleonic ways the 45-year-old has so thoroughly become the Zeitgeist that he’s now free to Zig and zag in any direction he wants to 30 years deep into his career Usher is liberated from postc

Confessions expectations and the gravity of current trends this helps explain why the album is an attime schizophrenic hodg podge of sounds and styles there’s ushering grown and sexy mode I am the party heartbroken ruin and Heartbreaker coldblooded mode and Glacier melting carnal mode coming home it wouldn’t be an usher album

Without him tapping up the stars of the moment starting with bur a boy who appears on the tone setting title track that plays like a slice of warm afer beats good good a mature break up Anthem squarely in Usher’s comfort zone features natural counterpart and current R&B torchbearer summer walker and a

Forced verse from 21 Savage at toown girl flips a familiar sample Billy Joel’s Uptown girl into a finger snapping Banger and owed to Usher’s Hometown fellow aten L plays the part perfectly from 20 floors up on Peach Tree Usher’s acclaimed Vegas residency has been a steamy career retrospective

Full of intimate dancing and nightly reminders of his high placement on sex EST man alive lists coming home strongest section from on the side to luckiest man showcases his ability to channel R&B’s ped into holy and authentically Usher songs reuniting with Germaine Dupri and Brian Michael Cox the production and songwriting Duo

Responsible for Usher’s biggest hits he cops to infidelity yet again on on the side and slows things down 8,71 Style on I am the party I love you is a slice of princess Funk with one of the album’s best vocal performances Usher sores over the slinking beat like a near-perfect

Incarnation of the purple one please you and luckiest man round out the mature lover stretch of coming home these tracks are Stark contrasts to today’s preferred brand of toxic R&B Earnest happy to please slow jams that explain the heavily female skewed crowds that have packed the park MGM in Vegas clamoring for Mr

Entertainment coming home is not a completely smooth return to form the anod paint by numbers Club tracks kissing strangers and keep on dancing signal the album sagging middle which features unremarkable beats and uninspired lyrics Hit Boy and the dream somehow Supply a sleepy beat for Bop which is

Certainly not what its title aims for with clunky lines such as friends Chan in got you undecided SL hit that defrost for the kid un I it the next track Stone Cold Freak O’s sex appeal But ultimately limps by with a generic beat produced by Rico Love ghost kid and Keith Thomas

Risk at all a perfectly fine piano ballad with her should have stayed on the color purple soundtrack while marila sees Usher rap singing over a Meandering James Lackey and the dream instrumental it’s astounding that a line like over here flowen like Aladdin SL she rub bin on me wishing for she

Got to have it was ever pressed to wax coming home is not confessions too but it does have to be to succeed the time for a sequel to one of the bestselling R&B albums of the 21st century has passed in the years since Usher has released Hit or Miss music topped best

Of lists for his 1997 to 2004 output and has been solidified as a pop and R&B icon he can also add Super Bowl Halftime performer and Tiny desk favorite to his trophy case on coming home Usher meets the moment without trying to eclipse the past serving as a reminder that the king

Of R&B hasn’t

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